Angelo: Yes, but not so much. I know that this year, in Italy, they were triumphal. However, I saw that the other musicians read them much more. Me, at the beginning, when I was younger, yes, maintaining not.

Amica: I did not read anything on the round of " Camminando, Camminando ". How do you see, today, your discs " Breads E pink " and " It ladro "?

Angelo: " Bread pink " I does not like E. " It ladro " if. However it is a disc of great bitterness, of suffering, a very worrying disc, very introverted. It is a beautiful disc, it is beautiful music, well done. On the other hand, " Bread pink " I does not like E.

Amica: I can say to you that " Breads E pink " likes your fans. " It ladro " too.

Angelo: But you know, " Breads E pink " really feels reluctant me. Look at, of " Breads E pink " I like the first piece " Aprile " E " tango ". However I like the melodies but not as they were arranged, absolutely not.

Amica: Y-a T-it a song that you regards being your masterpiece?

Angelo: Not. I always say to laugh that my best song is the next one, that which I will write tomorrow. I am very dependent, but for only sentimental reasons, in " Confessioni di a malandrino ". I was eighteen years old when I wrote it, perhaps less. For that, you include/understand, I am bound by personal reasons, but not because it is a masterpiece.

Amica: Does Y have T-it a song of which you thought spontaneously that it would be a hit, and conversely, a song of which you had never thought became a hit?

Angelo: Completely, " Went will trust dell' is ".

Amica: In which direction?

Angelo: For us, the hit it was " It dono LED cervo ".

Amica: Thus, " Went will trust dell is ", you had not thought of it?

Angelo: Absolutely. But we called the disc thus because it was diverting appeller " Went will trust dell is " but the simple one of the album, it was " It dono dell cervo ".

Amica: A a little private request perhaps: How do you feel the enthusiasm of your fans female? Do you feel you honoured or threatened?

Angelo: Not, why threatened? In which direction? Not I am very content. Not, not, no woman never made with me as with Ramazotti while jumping to him above.

Amica: Criticism calls you the ménestrel, the narrator of fables but also the diabolic violonist. Which of these expressions seem more adapted to you and how do you see you?